She used the machine smocking designs from this collection. If you don’t have an embroidery machine, you can use the guidelines in today’s tutorial to smock by hand if you know how, or there are mock-smocking directions in this pattern which, incidentally, will also provide you with a sloper to use for drafting your own version for whatever size doll you’d like
Let’s go to the beach and…nap? 😊 While I’m sure there are a lot of people who think that’s a fine idea, most children probably go to the beach to swim! So, were they swimming in these beach pajamas? Nope! Here’s the scoop:
By this time, swimsuits for actual swimming looked similar
to what we’d wear now, just with a bit more conservative of a cut, especially
at the leg openings – what we call “boy short” swimsuits today. Based on the old catalogs I’ve perused, they
were often made of wool, but a new fabric called “lastex” was beginning to
catch on. It was made from a
rubber/cotton or rubber/rayon yarn, and must have been so much more comfortable,
especially when wet!
Unlike today’s beaches and resorts, where people stroll
around in swimsuits all day or maybe just throw on a pair of shorts over them
to go to dinner, the 1930s were a bit more glamorous. The style icon Coco Chanel popularized beach
pajamas a decade earlier, when it was still a bit scandalous for women to be
seen in pants in public, and by the 1930s they were ubiquitous attire for
strolling the boardwalks and being seen in resorts.
As children, their mothers may have worried about tearing the lace on their petticoats climbing trees, but I imagine these little girls who experienced the freedom of running around to play in pants continued to influence fashion by choosing pants for casual/recreational wear as they grew up!
Can you believe this is already the last week of the sew-along? I’ve been feeling a bit of a disconnect with it this year because of the pix being scattered in random places, so it feels like there’s no way I could be seeing them all which is really the “funnest” 😉 part of the SSA for me. Keep posting your pix though and inspiring everyone else! Here are a couple to whet your appetite to check out the flickr and instagram pages:
There are some great ideas on the flickr page, like these dirndls (click to go to flickr and see who posted them!)
And this one I actually had to look twice, because at first
it wasn’t clear that it was the nightgown from week 2, cleverly styled as a
The tagging on Instagram might not be putting all the pix in
one spot for everyone to see…you actually have to tag me in the photo, not just
use a hashtag for it to show up on this page.
You can see which ones have shown up here:
OK, we’re 3 weeks in, are you keeping up? After last week’s dirndl and blouse, you might be ready for a quick and easy project – here it is! Living where we do, it’s pretty much a given that there will be a snow picture as part of the summer sew along, and here it is:
Apologies for not responding to comments/emails as well of the lack of explanation/etc. in this week’s post. It’s move-in week for my mom and we’ve been incredibly busy trying to put in new flooring and get things ready at her new place. Next week will be better 🙂
Shirley starred in “Heidi,” an adaptation of the Johanna Spyri book in 1937. Movie costumes can either follow or inspire the style of the present day, and my guess is that this dress from the pattern was influenced by the Heidi aesthetic.
Traditional folk costumes of Europe often have a specific name in their language. In German, the word “Trachten,” refers to all folk costumes, and the specific women’s costume is called a Dirndl. The generic type you might see girls wearing at Oktoberfest or an event like that is often a jumper made of a cotton print and has a gathered blouse underneath. There are much fancier versions and specific regional variations as well. The blouses today usually have elastic or drawstrings to gather them, but for a doll it’s easy enough to sew the gathers in place, which is what was done with this one. A real Dirndl almost always has an apron too, but that wasn’t the case with these costume versions.
Although it’s not authentic to Trachten, I really like the embroidery on the sleeve! Printed transfers were not new at this time. McCall had an iron-on transfer called a “kaumagraph” since at least the 1920s, but the popularity of stamped/printed designs was increasing, especially with flour and feed sacks. It was possible to find flour and feed sacks with designs printed on them that you could embroider over, and then wash to eliminate the marks. These would be used for functional or decorative purposes, such as towels.
I’ve been trying and trying, but etsy is having a problem uploading files at the moment. The combinations and nightgowns in both sizes were supposed to be available there now, but aren’t. You can buy them here though, and get them emailed!
Combinations pattern in 16" and 18" sizes. This is a digital file, the .pdf will be emailed to you with the address listed on your paypal account.
Nightgown (or shorten for a dress!) pattern in 16" and 18" sizes. This is a digital file, the .pdf will be emailed to you with the address listed on your paypal account.
Dirndl (jumper) and Blouse in 16″ and 18″ sizes
This is a digital file, the .pdf will be emailed to you with the address listed on your paypal account.
For a child’s play doll, aside from an everyday outfit suitable for activities the child likes to do (tea parties? tree climbing? soccer?) I’d argue the other most important clothing item is pajamas. A child can act out a bedtime routine by putting the doll to bed or taking it to bed with them. I love this nightgown because it embodies the glamour of women’s evening dresses of the time. A smooth, beautiful drape was often achieved with A-line bias-cut dresses and skirts, and this could be balanced with more fullness at the top, specifically with large, puffy sleeves. This pattern doesn’t just have to be a nightgown! You can shorten the skirt to turn it into a dress or hem the whole front and leave open; tie in front to use as a robe (dressing gown).
The pattern will be available here for a day, and after that I’ll post a link to it on etsy in both 16″ and AG sizes.
You might remember from the poll a couple of months ago that
I had a ton of ideas for the sew-along this year and asked for your input but
was going to leave it a surprise. Time
for the big reveal! You had lots of good
suggestions, but one person suggested Shirley Temple dolls. I sort of left that at the back of my mind,
because the dolls are vintage, were made in lots of sizes, and can be hard to
find. One point of the SSA is for lots
of people to participate, so it didn’t seem possible.
Some of the things
that really stuck out from the comments were that you wanted boy stuff, but
also lots of other sizes, and Sasha came up often. I had some majorly ambitious plans for that,
but as you might guess, it can take weeks-months to plan, draft, sew, take
pictures, and pattern-ify everything for a major multi-week sewing series like
the SSA. As I was starting this process,
my stepfather had a heart attack, and instead of drafting and sewing, I spent
spring break worrying and then driving home to be with my family. After that, my mom decided to move to
Colorado, so then instead of sewing, my amazing husband and I have been
spending all our weekends and after-work hours for the last month looking for a
place for her to live, then fixing up said place. The next step that we’re currently in is to
get everything downsized, then packed up and moved across the country.
There are times you need a break from all of life’s stresses
and and just want to sew something that’s not too difficult but still gives you
a nice sense of accomplishment of a completed project when you’re done. I thought I could handle resizing, but not
drafting from scratch, and looking at my new Natterer Starlette doll something
clicked into place…“starlet”…movie star…SHIRLEY!
My model is a Natterer Starlette, and I sized everything for
her, but it will also fit Sasha and
other slim 16” dolls, with some shortening of skirt hems if
desired. Most things (although maybe not
this week’s) should resize easily by copying at 77% for 13”-14” dolls like Hearts
for Hearts. Just like last year, I’ll
leave each pattern up for free download for a day and after that it will be
available on etsy in both slim and AG sizes.
A major change this year:
In the past, the SSA has been “finish-it-post-a-pic-a-week” and then if you complete everything you get an additional pattern emailed. Things are different this year for a couple of reasons. The first is, my husband reminded me that as participation grows from year to year (yay!) the least fun part of the SSA for me has become emailing and re-explaining over and over how to upload pix, dealing with mis-typed email addresses, people missing deadlines, asking for extensions, etc. The other issue that’s pretty major is that we always used Flickr in the past. They have changed their policy recently and now you’re only allowed a limited number of photos on a free account, so people may not want to upload there anymore. You definitely CAN (here’s the link: https://www.flickr.com/groups/2825314@N20/ ) or you can post on Instagram, which my niece claims she’ll help me figure out, and tag it with #jenwrenne.
How popular were the Shirley dolls?
In the 1936 Sears catalog, she was called “The World’s Most
Popular Doll” based on a claim that almost 1/3 of the dolls sold in the US the
previous year were Shirley Temples. I’d
be very curious to find out what her sales were in the rest of the world –
probably not nearly that high but “World’s Most Popular” makes for good
advertising, even if that claim is a little outrageous. 😉
The first Sears ad for her seems to have been in 1935, where
she was advertised as the “Only Original Shirley Temple” and the same doll was
sold in 4 sizes – 13”, 16”, 18” and 20”.
That’s unusual today, but was common from the early days of bisque dolls
with composition bodies through about the 1950s, for example, Toni dolls were
made in P90-P93 sizes, with the bigger ones being more expensive. Shirley’s price was quite high at $2.89 for
the 13” size and $5.79 for the 20”. As a
comparison, some other composition dolls of about 12-14” in that same catalog
started in price from about $0.25 and a 24” composition doll with a human hair
wig on the same page as Shirley was just $1.98.
Estimates around the internet vary, but the average yearly wage at that
time might have been around $1600, which I divided up by 260 work days/year to
give an average daily wage of $6.15. You
could further divide that by 8 hours into about $0.77 an hour. So, using that math the largest Shirley cost
maybe 7.5 hours of work for the average person.
What made Shirley so popular?
Mass advertising didn’t really come into its own until TVs
invaded every American living room and convinced children to beg their parents
for specific toys. But I’ll speculate on
a few things that may have made Shirley dolls so popular. First was the novelty of movies. In a world where we can instantly stream
hundreds of thousands of movies on our phones/devices anytime, it’s hard to
imagine what movies were like in the 1930s.
You may have had a radio at home to listen to in your jammies, but
movies were something special – an exciting event you had to go to the theater
to experience. In addition to being
cute, Shirley was a talented little girl who also sang and danced! It’s interesting to note that a lot of the
movies cast her as a child suffering a somewhat sad plight, for example, an
orphan, but everything always finished well in the end. This probably helped evoke emotion in the audience, as they first felt
sympathy for the poor little orphan, then happiness when things went well for
her. I personally like movies with happy
endings, and for a nation suffering through the Great Depression, this kind of
movie would undoubtedly have raised peoples’ spirits.
Another contributor to the doll’s popularity was probably
catalogs. Sears and other companies’
catalogs were the closest thing to internet shopping sites of the day, and they
did their best to get those catalogs into as many homes as possible. That catalog might have had a prominent place
in a farm home, as my great aunt recalled from her 1920’s childhood. When her doll’s head got broken by being
stepped on by a cow, her mother “took down the catalog” and said they would
“send for a new one.” This shows “the
catalog” was a connection to all the material goods a family could need/want,
even if they were far from a store that could supply those goods. When I think that the same catalogs with
pictures of Shirley dolls were in millions of homes across the country, I don’t
doubt that little girls or maybe even their parents, came home from the movie
theater after seeing the latest Shirley Temple “picture” on the silver screen and
wanted to hold on to some of that magic themselves. What better way than reenacting your favorite
movie scenes with a doll?
Shirley’s popularity in the form of both dolls and movies
remained strong for decades, and during that time several pattern companies
produced patterns for Shirley dolls in many different sizes; if they didn’t
specifically mention Shirley, they might have some kind of text saying they fit
Doll trousseaux, or
complete sets of clothing, are not new; people have been creating them probably
for as long as they’ve had time and resources to create them for dolls. Patterns for complete doll wardrobes were
available from at least the Edwardian era on, and I love seeing what was
considered an important part of a doll’s trousseau in different time
periods! This particular one included:
Combinations (one-piece undies and slip)
Dirndl (jumper) and blouse
In this pattern set, there are some challenging elements to some of these garments that make them not quite “quick and easy.” I really enjoy vintage patterns, and although in come cases I’ve simplified the construction of these to bring them more in line with modern sewing techniques, it’s fun to see how details differed from era to era and experience that connection with the past by doing things in an authentic way. I’ll try to note the changes from the originals wherever it’s necessary. In the case of this week’s combinations, the original had a one-piece back with a slashed and hand-rolled hemmed opening, which I changed to a 2-piece for ease of construction.